ALLEN & HEATH iDR10 Manual de usuario descargar pdf (Pagina 5)

8 9

Processing

Preamp

The mic/line head amp controls are presented as you would find them on a conventional console.

You even get a peak indicator. All the preamp parameters can be remote controlled from the

console and stored in the scene memories. If the channel is assigned to a digital input then the

gain control provides a +/-24dB trim.

SEL key

Press any processing block 'SEL' key to bring up the associated page on the Touch-Screen. Press

and hold to PFL the signal at any point in the signal chain, or hold with the COPY, PASTE or RESET

keys to edit parameters.

Insert

Insert points can be assigned to any input or mix. There is an insert present

indicator and IN switch to toggle the inserted processing in or out.

High Pass Filter

Switch the filter in and dial the required frequency from 20 to 400Hz to eliminate unwanted low

frequency pops and noise.

Gate

Every input channel features a noise gate with full parameter

control including sidechain. The familiar control layout makes the dynamics very easy

to use. The signal level is displayed behind the threshold setting to help you quickly find

the gating point. You can even listen to the sidechain to check the key filter frequency.

Parametric Equaliser

4 band fully parametric EQ with HF and LF bands selectable for

shelving or bell response. The uncluttered display quickly shows you the overall picture, with

further detail available from the graph and values displayed on the Touch-Screen.

Compressor

A compressor is available on every input channel and mix master, presenting its

own set of controls with a similar layout to the gate, complete with sidechain

filter and a signal level display behind the threshold setting. The Touch-Screen

adds a response graph and useful histogram of the gain reduction.

Limiter De-esser

The third dynamic processor adds a limiter to each input channel and mix master. The input limiter can

be switched to become a de-esser, giving the operator both a compressor and a de-esser on vocal

channels. There are no compromises - every dynamics processor is instantly accessible.

The iDR-64 DSP mix engine provides all the processing power for 64 input channels and 32 mix outputs. Not only

does iLive present all the gain, EQ, assignment and level control you would normally find on a well equipped

analogue console, but it brings on board the many outboard racks you would need if you were to insert full

dynamics processing and delay across all 64 channels, patch in dynamics, third octave graphic EQ and delay on

each of the 32 mixes, and hook up a rack of effects processors. The space and cost saving together with convenient

stock and transport handling benefit is huge. And there are no compromises, no 'small print' - all the processing is

available all the time - you can never run out of DSP!

iLive features an innovative ‘Processing-Strip’ interface that retains the familiarity of the traditional analogue console

with its one-knob-per-function rotary controls and switches, and a display that gives the operator a quick overview

of all settings at a glance. To access the processing for a channel or mix simply press its control strip 'SEL' key. For

more detailed and graphical information, the parameter information can be displayed on the Touch-Screen too.

Channel processing is also controllable offline and online using ‘iLive System Manager’

software which can be run on your PC or laptop. Control of iLive is transmitted via TCP/IP

over Ethernet - both the surface and the iDR10 Mix-Rack are equipped with Ethernet hubs

making it easy to set up a control network - so for example, a technician could access

channel mix processing such as graphic EQ and delay to set up the PA system from a

laptop, while the FOH engineer concentrates on other tasks.

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