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Applications
iLive offers a uniquely flexible output bus structure and control surface assignment which allows the system to
be optimally configured for each live audio application. These settings can be stored as show memories and
archived to USB key to be used again later.
AV presentation: Left-Centre-Right+Sub main PA feeds, 4 stereo matrix sends for time-aligned audience fills, 6
foldback mixes with each performer able to dial up their own custom monitor mixes on PL-10 remote controllers,
and 3 stereo custom recording feeds to cameras.
Basic iLive system: One CAT5 cable is used for control of the Mix-Rack via TCP/IP. The second cable replaces
the traditional multicore for audio transport to and from the surface via EtherSound.
Example system - FOH / Monitor system with digital mic splitter:
One Mix-Rack loaded with all 64 mic inputs is located on stage and controlled by an iLive-144 surface at FOH. Outputs for the
Left / Centre / Right / Sub / fills amplifiers can be located in the same rack, at the surface, or both! A second Mix-Rack provides
its own DSP and surface for independent control of the monitor mix. It is loaded with just the output modules for up to 28
monitor mixes as it gets the same mic signals via EtherSound from the FOH rack - a digital mic splitter. The compact iLive-112
surface at the monitor position saves valuable space on stage and keeps trucking space to a miniumum.
The majority of mic/line inputs and system outputs, analogue or digital, will be located at the iDR10 Mix-Rack, the 19”
shockmounted & flightcased ‘heart’ of the system featuring the iDR-64 Mix Engine DSP. This is linked to the control surface via
two Cat5 cables – one for system control using Ethernet, and one for the EtherSound digital audio network, providing a further
32 inputs and outputs located in the rear of the console for sources such as music players and sound effects, inserting favourite
processors, outputs to speaker management devices, recording and more. The Mix-Rack could be placed next to the surface
and fed from the stage using an existing copper multicore in a similar way to traditional FOH consoles, or you could benefit from
lower cost, longer run CAT5 cable connection by keeping the Mix-Rack on stage next to the sources. This example shows the
Allen & Heath PL-Anet connection being used on stage to daisy-chain remote controllers for personal monitor control by
individual musicians. The FOH surface continues its EtherSound network to route signals to additional ES equipped devices for
delay fills and other remote feeds.
This is just one example of many that emulate large scale 64 channel distributed live sound systems while being reassuringly
easy to operate, taking up very little space and providing the benefit of reliable recall of saved settings show after show.
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