ALLEN & HEATH iDR10 Manual de usuario descargar pdf (Pagina 3)

The iLive System Concept

The iLive digital mixing system offers many

advantages over traditional analogue systems. The

flightcased console surface and stage Mix-Rack

contain all the tools the engineer needs between the

microphones and the PA system.

iLive puts the audio processing right where it is

needed - on or near the stage. The DSP is in the Mix-

Rack, keeping latency to a minimum and giving you

the freedom to choose how you control the mix.

iLive provides comprehensive on-board signal and FX

processing, so there is no need for expensive and

heavy outboard equipment racks. This not only saves

space, but reduces preparation time, and cuts back

overheads too! Bulky and expensive multicores are a

thing of the past, as cabling between the console and

Mix-Rack is CAT5.

Full processing is available all the time. Each of the

64 input channels has a gate, parametric EQ,

compressor, limiter/de-esser and delay, while all 32

mix outputs have a 1/3 octave graphic EQ, parametric

EQ, compressor, limiter and delay.

Complete set-ups can be stored in the console and

saved to a USB key, so adapting to different venues,

applications, and artists has never been easier. All

parameters can be saved, updated, and recalled, so

engineers can carry their settings and libraries with

them - saving precious time at the gig.

Distributed Audio - Distributed Control

iLive is a modular system, so a choice of analogue and

digital input and output cards can be arranged to suit

your application and hire inventory. The iDR10 Mix-Rack

holds 10 of these cards while the surface has a built-in

rack for a further four. The Mix-Rack sends audio to and

from the surface and other devices using EtherSound,

popular for its compatibility with standard network

components, its 64 channel capability and very low

latency. You can choose where you need your inputs,

direct outs, mixes, and insert points. The mic head amps

are remote controllable and can therefore be positioned

anywhere within the audio network.

You have the freedom to control the system with a

choice of iLive surfaces, computers connected via

Ethernet for wired or wireless control, MIDI or using our

PL Series hand-held controllers. More than just a mixer,

iLive joins a family of compatible products proven by

Allen & Heath to provide solutions in every area of

modern audio and system integration. For fixed

installations or live venue and events, iLive consoles and

iDR Mix-Racks can be combined to form an expandable

and flexible system.

System Components

Walk up to an iLive control surface and it will seem familiar! Four buttons per channel strip allow the engineer to select

parameters, audition, mute, and create mixes. iLive’s unique ‘Processing-Strip’ gives you instant access to all the analogue-style

controls and indicators you would want to see for processing an input channel or output mix. Intuitive and informative LED

status and meter displays let you know what’s happening to the signal at every point in the signal path, keeping you in total

control with nothing hidden or buried in menus. You are free to concentrate on where the action is – on stage!

Touch-Screen

If more detail is required, or the delay or library settings need to be accessed, the Touch-Screen interface provides full graphical

display of each section of the ‘Processing-Strip’ with numerical values for each setting. Data can be entered with the rotary

encoder or on-screen keypad. Onboard and USB key libraries are available so that favourite settings can

be quickly stored and recalled. The Touch-Screen also provides easy access to the system setup and

user preference screens.

Fader Strips with Coloured LCD ‘write-on’ blocks

Each channel strip on the iLive surface has a back-lit LCD display which displays the basic information

for the channel type, name, assignment status and pan functions. The channels, mix and DCA masters

can be named individually and coloured to suit the user, and freely mapped across the banks in any

combination you choose. Each of the three fader banks has four layers of motorised faders, giving you a

logical control layout of up to 176 channels and masters in a compact footprint. Strips can be

duplicated or ‘frozen in layers’ so important channels can always be visible for hands-on attention. All

these settings can be added to the scene memories and recalled at will, ideal for different artists

appearing on-stage in a festival situation, or acts/scenes in a theatre show.

System Manager software

iLive System Manager will allow both online and offline setup, simulation, and control of the system over

the EtherNet network giving multiple users the ability to control different parts of the system, to create

mix configurations and surface maps before ‘going live’, and to allow for future feature updates. This

flexibility gives iLive the ability to mould itself to the evolving requirements of live sound engineering.

Surface Controls

With all the hands-on control you would expect of an analogue console, iLive adds the many benefits of

digital mixing. Copy, paste, and reset keys allow quick set up of channel and bus settings. Parameters

can be saved and recalled from scene memories, with access buttons enabled for instant recall, or disabled to

protect from accidental operation. The engineer stays in control with a comprehensive talkback and PFL/AFL

monitoring system, as well as a protected Solo-in-Place function. As a monitor console, iLive can be configured

with a dual engineer’s PAFL monitor for independent wedge and in-ear checking. Even the LED and Touch-Screen

brightness can be independently controlled to compensate for different ambient lighting conditions. iLive presents

a control surface designed by live sound engineers for live sound engineers...

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