ALLEN & HEATH ML5000 Manual de usuario Pagina 9

  • Descarga
  • Añadir a mis manuales
  • Imprimir
  • Pagina
    / 14
  • Tabla de contenidos
  • MARCADORES
  • Valorado. / 5. Basado en revisión del cliente
Vista de pagina 8
STEREO INPUT//.
4 fully featured dual stereo channels are fitted as standard to each frame
size in addition to the standard channel count.
Stereo inputs allow connection of 2 stereo sources. These can be selected
individually or mixed together, for example mixing two different reverb
returns into one channel. They are more suitable for effects, 2-track players
and other stereo devices than conventional aux returns, as they include full
EQ, can be routed to any mix, provide metering and fader control, and are
part of the console mute and VCA system.
INPUT A - TRS jacks
INPUT B - XLR
INPUT STAGE - Each input has its own gain control and on/off switch. This
means that the gain does not need to be reset when switching between
inputs, and that the required balance can be adjusted when mixing the two
sources together. The gain range of -6 to +18dB easily matches the
connected line sources.
MONO LR - With both switches up the selected source is routed through
the channel in stereo. Press MONO L to select the left signal as a mono
source, MONO R to select the right, or both to sum L and R together.
4 BAND EQ - LF and HF are shelving response with turning point
frequencies set at 60Hz and 12kHz respectively. The mid bands
are bell response with centre frequencies set at 250Hz and 2.5kHz,
optimised to deal with typical live sound source problems or
creative shaping.
CHANNEL//.
GRP/AUX SENDS 1-8 - In GROUP MODE the PRE switches become the
individual group routing assigns and the pots become dedicated post-fade
sends to the rotary aux masters. In AUX MODE these become aux sends
individually switched pre/post fader.
AUX SENDS 9-16 - Switched pre or post fader in pairs. Related pairs may be
switched as stereo pairs. Up to 4 true stereo auxes may be configured. As
mono auxes the L and R signals are summed together. As stereo auxes
separate level and pan controls are configured.
BLEND - Balances the signal between the LR and C outputs. Set fully
anticlockwise for stereo PA, clockwise for mono PA, or adjust as required
together with PAN when driving an LR+fill or a 3 speaker LCR system.
PAN - Conventionally positions the signal between the L and R outputs. Used
with the BLEND control this can adjust the signal balance within a 3 output
LCR system.
MAIN MIX - This single switch routes the channel signal to the L,R,C main
output. The required balance is seamlessly adjusted using BLEND and PAN.
GRP PAN ON - Sends the post-pan signal to the channel routing switches
when creating stereo groups. This is not affected by the BLEND control. In the
normal up position the pre-pan signal is sent for creating mono groups not
affected by pan.
MUTE - Turns the channel signal on or off. It is also used when editing mute
or VCA groups, and to solo the channel when in SIP mode.
SAFE/EDIT - This LED normally displays which channels have been made
safe. In edit mode it lights if the channel is assigned to the group being
edited. In preview mode it lights if the channel is muted in the snapshot
being previewed.
PAFL - Auditions the channel in the headphones, local monitor and wedge
output (if wedge mode is selected). Sends the mono pre-fader signal or the
stereo in-place post-fader signal depending on the master PFL/AFL switch.
METER - Displays the pre-fader signal on the 5 segment channel meter. The
top red LED is a multi-point peak indicator which also lights if the pre-insert,
pre-EQ or post-fader signal reaches 5dB before clipping.
VCA ASSIGN - These LEDs display which VCA groups the channel is
assigned to. In preview mode they display the assignment in the snapshot
being previewed.
FADER - 100mm Alps K-fader provides local DC control of the channel VCA.
A&H//08
Vista de pagina 8
1 2 3 4 5 6 7 8 9 10 11 12 13 14

Comentarios a estos manuales

Sin comentarios