MONO INPUT//.
INPUT - XLR for mic or line level signals. +48V is individually
switched for phantom powered microphones.
INSERT - Separate send and return TRS jacks, post HPF, pre-EQ
DIRECT OUTPUT - TRS jack. Set post-fader as standard with level
trim using aux1 pot. Internal option links for pre-fade or post-fade.
INPUT STAGE - Carefully engineered to maintain the sonic quality
of the original source, this stage matches any mic or line signal
from a low -60dBu to a high +10dBu nominal operating level.
With a +31dBu maximum input capability there is plenty of
headroom available.
HIGH PASS FILTER - 12dB/octave slope with frequency adjustable
from 20Hz to 400Hz. Includes an in/out switch for instant
comparisons between straight and filtered signals, or to maintain
minimum signal path when the filter is not required.
4 BAND PARAMETRIC EQ - A powerful tool, tailored for corrective or
creative live performance control. HF and LF are shelving response.
The mids are fully parametric with Q sweep to allow precision sound
shaping whether broad-brush or tight narrow band. The 4 bands
each provide extended range frequency sweep. Adjacent bands
overlap so that two can be used to deal with particular problem
sounds when needed, for example using low shelf and mid bell to
tighten up a sloppy bass.
As usual, dual-concentric pots have been avoided to ensure that
you can grab the controls you need in an instant - another example
of Allen & Heath’s commitment to real world usability.
EQ AND FILTERS//.
LO CUT FILTER
HIGH MID EQ
LF & HF EQ
LOW MID EQ
A&H//ML5000
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