ALLEN & HEATH DR66 Especificaciones Pagina 3

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iDR SERIES WHAT IS IT?
4
The iDR is a 16 x 16 matrix mixer
with an extensive array of audio
management tools designed to
reduce the need for additional
devices to be specified for an
installation, or carried in the hire
inventory. Pedigree ALLEN&HEATH
preamps, 24bit converters and
fixed DSP architecture ensure
that concert-quality low-latency
sound is delivered efficiently to
where it is needed.
iDR SERIES WHY IS IT SO USEFUL?
Anyone with a basic knowledge of traditional console and outboard equipment
will be able to design a distributed audio system on their PC using the ‘mixer’
based iDR System Manager software - download it free from www.idrseries.com.
iDR comes loaded with flexible DSP tools, essential in sound system configuration
and installation. Input & output delays, 4- and 8-band parametric EQ, automatic
microphone mixing, frequency conscious dynamics, look-ahead limiter, ambient
noise compensator, crossfader and much more are available at your fingertips
without having to worry about running out of DSP. Its system of presets allow for
full recall of the whole system or individual parameters at the touch of a button.
After programming, the iDR unit operates as a stand-alone system controller,
with a host of remote control devices available for day-to-day operation. The PL
Series complements the powerful features of iDR and comprises wall plates,
infra-red hand-held or desk mount controllers connecting to the main unit using
CAT5 cable over the RS485-based proprietary PL-Anet bus, while all the major
third party devices may also be used to control iDR.
For complex systems, the iDR system can be driven in real time by a PC via an
Ethernet port, allowing the iDR to be used in hire/live audio situations such as
matrix distribution in theatres, or clean feed system for an outside broadcast.
Why not connect a WiFi card to your laptop, connect to the internet, set up your
system and save your settings on the move? Stay in control from anywhere in
the world!
Network control
The main iDR units can be
easily controlled and
programmed with an
Ethernet connection to a PC
[or MAC running OSX & PC
simulator]. All iDR units on a network can
be
seen’‚ by more than one computer,
with optional password protection so that
operators can be observed by a technician
running iDR System Manager software - or
PL Client software - anywhere on the
network or World Wide Web. iDR can
even output a log of its activities to an
email address!
Proprietary TCP/IP devices such as ‘WiFi’‚
can be used for cost effective and practical
uses; for example, a ‘wireless laptop’‚
can be used to commission or update
the sound system from exactly where the
technician needs to monitor it.
Preset System
iDR provides a system of
up to 250 presets for total
recall of system settings. A
preset can contain the
settings for all system
devices, e.g. a default preset to set the
entire system on power-up, or individual
devices can be selected for exclusive
change in a preset, e.g. a single EQ or
fader gain level. A recall crossfader is
provided to fade between different preset
levels. Sheduled preset recalls are available,
timed from the iDR internal clock. Preset
recalls can be triggered from ALLEN&HEATH
equipment (PL controllers other iDR's or
iDR-Switch) or via the serial, MIDI and
Telnet ports using third party equipment.
PL-Anet
The PL Series
is the perfect
interface
between the
iDR and the operators on site, providing
simple, non-technical switch, indicator
display, fader, IR and encoder control
options. Furthermore, as the requirements
grow at an installation, the control system
can too.
PL remotes can simply daisy chain or
use the ‘PL-Anet’ hub for star wiring
applications, and all cabling is CAT5. You
as the designer can customize these
‘plug-n-play’ remotes to do exactly what
the customer needs. Each PL has its own
simulator in iDR System Manager software,
so you can design and demo the system
offline as it will appear when the hardware
is in place.
Automatic Level Management
iDR is equipped with several
powerful modules to
manage a distributed sound
system, so an operator or
technician doesn’t always
need to be present. For instance:
Microphones in a conference situation
can be controlled by any one of the
four on-board AMM’s, so that as more
open microphones join in, the gain
of the sum is reduced to prevent
feedback occurring.
A comprehensive Ducking system is
provided with adjustable priorities.
Ambient Noise Compensator (ANC)
enables the output level in a zone to
be automatically managed in relation
to the signal level of the changing
background noise level
Level Sensing provides a logic or
soft LED output when a pre-set signal
threshold is reached, which triggers
indicators and other hardware to
respond; this allows operations such
as camera following.
2 independent paging systems are
provided, with paging to selectable
outputs. Paging switches and indicators
can be triggered via A&H controllers;
alternatively, custom paging panels
can be created and interfaced with
the system.
Expandability
As the system requirements
grow, additional iDR units
or expanders can be added
to suit the budget and
application. iDR-8 and iDR-
4 have 8-buss digital expansion ports
(RJ45) to allow units to be daisy-chained
together, or to add an iDR-In or iDR-Out
8-channel expander.
The CAT5 cables allow the units to be
placed at distances up to 250m apart,
allowing, for example, the iDR-In to provide
8 XLR mic/line inputs in a function room
on a different floor to the control room
containing the main iDR unit, or, similarly,
the iDR-Out could be configured as a
four-way-stereo XLR output to an amp rack
located at the side of a theatre stage.
Furthermore, the 8-buss link can be used
to distribute signals around a complex
network where iDR units communicate via
TCP/IP - here, interbox paging and routing
is possible.
Audio Quality
Low latency [2.23ms from
input to output] and a fixed
DSP architecture ensures
that the iDR system will
distribute coherent audio
no matter how many modules of DSP are
used in the system.
Mic preamp gain is controlled in analogue
under software control so levels can be
optimised in real time if needed. iDR-8
has a hardware limiter before the A-D
converter so that the contractor can have
confidence in the signal integrity, even if
input levels exceed what was expected.
Signal Processing
The iDR-4 & iDR-8 signal
processing architectures
provide 16 channels of
input processing and 16
channels of output
processing, centred around the 16x16
mix matrix. Using the DSP patchbays, the
user can configure these channels to either
analogue inputs/outputs or to channels
on the digital audio expansion port.
Because of the fixed architecture, you do
not need to assign DSP into the signal
path, or worry about having enough DSP
available to do the job. In iDR, we have
given you the tools you need such as noise
gates, compressors, delays, parametric
EQ and look-ahead limiters, to start working
with live audio straight away.
Adjustments are made in real time as there
is no compiling to do, and our unique
monitor buss allows you to listen to any
point in the signal path. Copy and paste
any DSP settings to quickly build up a
design, save it as a configuration file, and
use it as a template for other systems.
MIDI
iDR-8 is equipped with MIDI
in/out/thru and custom MIDI
commands can be output
as presets and recalled on
the iDR. This allows other
audio devices such as samplers and
processors to be controlled from the
main unit.
For example, dynamic MIDI control from
faders, rotary controls and keys in the iDR
system could interface with a DMX controller,
so that basic lighting control can be
programmed into iDR and run from the
PL series remote controllers.
DSP
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