ALLEN & HEATH ML 5000 Manual de usuario descargar pdf (Pagina 10)

Performance:

Our new mic preamp has an extended 74dB gain

range with massive headroom able to deal with the

widest range of signals right up to +34dBu. From

the new low-noise mix amp through responsive 4

band EQ to the differential balanced +26dBu

outputs, every stage has been carefully designed

to ensure optimum gain structure, extended dynamic

range and the best sonic performance possible.

Third Master Fader:

All GL series consoles have a third master fader. For

GL2400, this means that the configurable M fader

can be used to create an LR sum mono fill, an

engineer’s monitor wedge feed, or a dedicated centre

or sub-bass speaker mix from Aux 6, which means

anything can be ‘dialed-in’ from any channel. On

GL2800, GL3800 and GL4800, the third

fader can be fed from the LR sum, a dedicated mono

C mix buss, or both, or become the engineer’s

monitor wedge feed.

Matrix:

A matrix is included in every new GL mixer, a big

feature for corporate AV work, specialised recording

and broadcast feeds, and personal monitoring.

Smart auto-switching of the external inputs allows

common mono, stereo or independent sources to

be added to the matrix mix, whether adding ambience,

general ‘starting point’ mixes or linking consoles into

the same

PA. The stereo channel mic breakpoints

can be cross patched to add room ambience to

recording and IEM feeds. Learn more by downloading

our guide to matrix mixing from www.glseries.com.

Stereo Channels:

GL Series consoles are equipped with either 2

or 4 full feature stereo channels. The larger format

GL4800 and GL3800 provide the benefit of

ordering options for 4 or 8 stereos in place of

mono channels. The compact GL2400 and

GL2800 provide 2 stereo strips with mic and

stereo line inputs on each. Clever switching allows

these channels to be used as mic or line inputs.

The GL2800 and GL3800 add two extra

‘short’ fader dual stereo channels. Stereo sources

such as backing tracks and reverbs can be

combined into the strips while the mics are

patched elsewhere, for example, to get ambience

into a matrix mix, for use with a system calibration

microphone, or to use an external phantom

powered mic with a video camera. True versatility

in a tiny space!

Input / Output Capability:

The GL Series provides 4 ranges each with a

choice of frame size. In fact, there are no less than

41 models to choose from, and there are still

plenty more channel combinations possible by

linking consoles using the Sys-Link option. The

larger

GLs provide an optimum 10 auxes and 4

matrix, a powerful set of outputs for creating a

manageable combination of mono and stereo

mixes. The dedicated stereo aux of the

GL2800

and GL3800 is perfect for true stereo in-ear,

recording and effects mixing, or even dual effects

such as balancing a vocal between two different

reverb devices.

Practical Mixing:

Choosing a console is not just about its number of

channels and features. Top of the list is the

reassurance that it will continue to perform reliably

day after day facing the challenges and unpredictable

nature of live sound engineering. These new

consoles build on the proven success of the

pioneering

ALLEN&HEATH GL Series. The

design has invested in the things that matter –

rock solid on-the-road reliability and uncompromising

sonic performance able to get the best out of any

PA system. There are many other considerations

too, such as the size and convenience for flight

casing and installation, ease of use for the new

operator, and the serviceability and technical

support. All

ALLEN&HEATH consoles are

designed for the most intuitive layout with logically

grouped and colour coded controls, and sensible

control positioning to help focus the operator on

the job rather than finding the way around the

equipment. Even details such as the recessed

configuration switches that prevent mistakes

during live operation can make a big difference.

The ALLEN&HEATH design team have decades

of experience being there working with the equipment

under pressure, talking to and listening to users both

experienced and those just starting out, and

following the developing trends in sound engineering.

GL OVERVIEW

For 35 years, ALLEN&HEATH has designed truly innovative mixers for

the real world and has earned its enviable reputation for superior

performance, functionality and build quality. We are proud to present the

brand-new GL Series of dual function consoles. Providing the benefits

of the very best in analogue audio performance and intuitive ‘walk up and

go ‘operation, and featuring an enhanced capability for the latest in live

sound mixing such as in-ear monitoring, mix-fed subs, ambient

recording, engineer’s wedge/earpiece monitoring and matrix flexibility,

the new GL Series retains the rugged, all metal, individual card build

for which ALLEN&HEATH is renowned. These models benefit from

the latest manufacturing methods and audio circuit

developments. The GL Series: built to

perform, built to last.

Dual Functionality:

As pioneers of dual functionality, we have ensured

that every detail of the concept has been carefully

implemented in the new

GL Series, with no

controls redundant in either mode. When mixing

Front-of-House, the monitors can be set pre-insert

as well as pre-EQ, to prevent the house mix EQ

and compression affecting the stage mix. Per-

channel aux switching means one can mix pre-

fade with post-fade sends such as theatre radio

mics and sound effects. As a monitor console, the

aux masters get faders, inserts, mutes, meters and

balanced XLR drive. The Groups and LR mixes are

still available to create yet more sends.

Engineer’s Toolbox:

There is an abundance of useful tools on all GL

Series mixers. While the details vary from

console to console (check the feature pages), all

are equipped with well thought out facilities to

help the engineer do a better job. For example, the

GL4800 is equipped with a comprehensive

monitoring system, with stereo PFL, PFL trim, PFL

override AFL, LED meters on every channel and

even the mix busses, additional moving coil VU

output meters, local and headphone outputs, and

Solo-in-Place. GL3800 and GL2800 feature

recessed channel pre/post-EQ switches for quick

setting of pre-fade aux user preference, 3

headphones outputs (including a small jack socket

for ear pieces), a talk latch mode for using a

switched handheld talkback mic, oscillator/pink

noise generator and extensive metering.

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Comentarios a estos manuales

Chepo 26 May 2025 | 03:54:03

Muy bueno

Chepo 26 May 2025 | 03:54:03

Muy bueno

ALLEN & HEATH ML 5000 Manual de usuario Pagina 10

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